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Songs
of
Perfect
Propriety
is
wonderfully
entertaining
vintage
Dorothy
Parker,
perfectly
matched
by
Seymour
Barab’s
savvy,
inventive
blend
of
American
art
song,
cabaret,
and
musical
theater
styles.
Thanks
to
Barab’s
inspired
musical
initiative,
vocalist
Amy
Elizabeth
Wheeler
and
pianist
Kristie
Born
give
clear
voice to the lyric magic of Parker’s poems.
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Writer
There must be courage…There
must be a disciplined eye and a
wild mind. – Dorothy Parker
on writing
Kristie
Born
has
performed
a
wide
range
of
solo,
chamber,
and
large
ensemble
music,
including
a
multi-media
presentation
of
Erik
Satie’s
Parade,
and
premiered
the
works
of
several
composers,
most
notably,
3
Ponteios
(em
miniatura),
para
flauta
e
piano
by
Paolo
Costa
Lima
at
the
Florida
Flute
Festival
and
Faded
Anecdotes:
Five
Images
for
Solo
Piano
by
Syd
Hodkinson,
a
piece
composed
for
her
at
Stetson
University's
Sounds New Composer's Series.
Born
made
her
solo
debut
with
the
Hollywood
Philharmonic
performing
Beethoven's
First
Piano
Concerto
and
has
worked
as
vocal
coach
and
pianist
in
Japan,
Italy,
Sweden,
and
Austria.
Her
previous
recordings
include
A
Soft
Florida
Rain
,
classic
art
songs
by
contemporary
Finnish/American
composer
Kari
Henrik
Juusela,
performed
in
collaboration
with
tenor
Stephen
Ng,
and
Vibrations
of
Hope:
Music
of
the
New
Millenium,
(Albany
Records),
performed
with
pianist
Rose
Shylam Grace.
Born
has
been
on
the
faculty
of
Stetson
University’s
School
of
Music
since
2005,
where
she
teaches
accompanying
and
coaches
the
Stetson
Opera
Theater.
She
received
a
Bachelor
of
Music
and
a
Master
of
Music
in
piano
performance
from
the
Peabody
Conservatory
in
Baltimore
and
a
doctorate
in
chamber
music
and
accompanying
from
the
University of Miami.
Dorothy
Parker
(1893-1967)
is
one
of
the
most
quoted
and
quotable
women
of
all
time.
Poet,
short
story
writer,
reviewer,
critic,
journalist,
playwright,
and
screenwriter,
she
is
legendary
for
her
wit,
wisecracks,
and
satirical
skewering
of
social
and
political
pretensions
and
celebrated
for
her literary achievement.
Parker
made
her
debut
in
print
in
1914
with
the
publication
of
a
poem
in
Vanity
Fair
.
A
job
writing
copy
at
Vogue
followed,
while
she
continued
to
contribute
edgy,
irreverent
poems
to
Vanity
Fair
,
where
she
became
staff
writer
and
later
drama
critic.
She
was
appointed
to
the
editorial
board
of
the
New
Yorker
when
it
was
launched
in
1925,
and
her
poetry,
short
fiction,
sketches,
dialogues,
and
book
reviews
helped
shape
the
magazine’s distinctive character.
During
the
1920s,
Parker
published
some
300
hundred
poems
and
free
verses
as
well
as
numerous
short
stories
and
articles
in
popular
magazines.
Her
first
volume
of
poetry,
Enough
Rope
,
was
a
bestseller,
and
her
iconic
short
story
"Big
Blond,"
received
the O. Henry Award.
In
1934,
Parker
moved
to
Los
Angeles,
where
she
co-wrote
screenplays,
including
A
Star
Is
Born
and
Smash-Up:
The
Story
of
a
Woman
,
both
nominated
for
Academy
Awards.
Traveling
between
coasts,
she
continued
to
write
book
reviews
for
Esquire
and
the
New
Yorker
,
while
contributing
to
other
publications,
before
returning
to
New
York in 1964.
She
is
the
first
woman
writer
to
be
published
in
the
original
1944
Viking
Portable
Library
series.
Now
in
its
2nd
revised
edition
as
a
Penguin
Classic,
The
Portable
Dorothy
Parker
has
been
continuously
in
print
for
over
sixty
years.
In
2011,
the
infamous
Mrs.
Parker
was
inducted
into
the
New
York
State
Writers
Hall
of
Fame
as
a
member
“whose
writings
have
made
a
lasting
contribution
to
literature.”
Dorothy Parker
Seymour Barab
Composer
The words of a poem immediately
suggest music to me. —Seymour Barab
Seymour
Barab
(1921-2014),
organist,
pianist,
cellist,
songwriter,
librettist,
and
composer,
is
a
master
of
musical
genres
as
both
performer
and
composer.
Trained
as
a
pianist
and
cellist,
Barab
began
his
career
as
a
cellist
performing
with
principal
orchestras
in
Indianapolis,
Cleveland,
San
Francisco,
and
Philadelphia.
An
early
interest
in
contemporary
music
led
to
his
participation
in
founding
the
New
Music
Quartet
in
Chicago
and
the
Composer’s
Quartet,
affiliated
with
Columbia
University,
in
New
York
City.
As
an
accomplished
viola
da
gamba
player,
Barab’s
focus
on
contemporary
music
was
mirrored
by
an
interest
in
early
music,
which
led
him
to
help
found
New
York
Pro
Musica
(Antiqua),
one
of
the
first
contemporary
ensembles
to
reintroduce
baroque
and
renaissance
music
to
modern
audiences.
His
protean
musicianship
as
performer
included
a
stint
at
Birdland,
playing
in
a
small
string
orchestra
accompanying
Charlie
Parker
and
Stan
Getz,
and
his
work
as
a
recording
studio
musician
in
the
70s
and
80s,
performing
with
popular
artists
from
Elvis
Presley to Frank Sinatra and John Lennon.
As
a
composer
at
home
in
a
variety
of
styles,
Barab
composed
numerous
instrumental
works,
over
40
operas
for
adult
and
young
audiences,
and
hundreds
of
songs
and
musical
settings
for
poems
and
texts
by
William
Blake,
William
Butler
Yeats,
Robert
Graves,
Lewis
Carroll,
Robert
Louis
Stevenson,
Sara
Teasdale,
Dorothy
Parker,
and
Kurt
Vonnegut,
among
others.
Barab’s
works,
especially
his
songs,
for
which
he
is
most
famous,
and
his
whimsical
and
accessible
chamber
operas,
for
which
he
is
best
known,
remain
staples
of
the
contemporary
American
professional
and
semi-professional
performance
repertoire.
In
1998,
Seymour
Barab
received
the
National
Opera
Association
Lifetime
Achievement Award.
Kristie Born
Pianist
Amy Elizabeth Wheeler
Voice
Amy
Elizabeth
Wheeler
is
a
versatile
vocalist
and
dynamic
performer.
Her
career
path
has
led
from
club
dates
as
singer/song
writer
in
New
York
City
to
European
opera
houses
and
concert
stages
and
numerous
collaborative
chamber
music
projects
at
home
and
abroad.
An
appearance
in
the
original
MGM
film
Fame
and
a
tour
in
a
European
production
of
the
Broadway
musical
Hair
in
the
role
of
Crissy
preceded
Wheeler’s
operatic
debut
as
Fauno
in
Mozart’s
Ascanio
in
Alba
with
the
Warsaw
Chamber
Opera
in
1990.
Her
most
popular
roles
with
the
WCO
were
Cherubino
(
Le
Nozze
di
Figaro
),
Blondchen
(
Die
Entführung
aus
dem
Serail
),
and
Cupid
in
John
Blow’s
Venus and Adonis
.
After
leaving
the
WCO,
Wheeler
formed
The
Peregrine
Consort
and
collaborated
with
leading
early
music
musicians
from
Sweden
and
Poland
to
produce
and
perform
concerts
and
semi-staged
productions,
featuring
works
by
Handel,
Scarlatti,
Galuppi,
and
composers
from
the
English
renaissance.
Working
with
Swedish
double-bassist
and
composer
Jan
Alm
and
musicians
from
the
Gothenburg
Symphony
Orchestra,
she
performed
Jon
Deak’s,
The
Ugly
Duckling
(in
Swedish
translation)
and
Alm’s
Martinson
Songs,
set
to
poems
by
Nobel
Laureate
Harry
Martinson.
Wheeler’s
concerts
have
been
presented
by,
among
others,
American
Opera
Projects,
Poland’s
National
Philharmonic,
the
Gotham
Early
Music
Scene,
Wratislavia
Cantans
Festival,
and
the Gothenburg Konserthus.
She
recorded
and
produced
What
Thing
is
Love
(Peregrine
Records),
a
critically
acclaimed
album
of
English
lute
songs,
and
recorded
as
guest
artist
on
the
Archguitar
label.
Wheeler
graduated
from
the
Fiorello
LaGuardia
High
School
of
Music
&
Art
and
received
a
Bachelor
of
Music
in
voice
from
the
Manhattan
School
of Music.
LINKS
PO BOX 479, Ashfield, MA 01330
This recording is dedicated to
Seymour Barab.
ALBUM CREDITS
R
ecorded
in
24
96,
mixed
by
Ken
Berglund,
Swedish
Sound,
AB,
mastered
by
Torbjörn
Samuelsson,
Sampling
Factory,
KB,
and
produced
by
Amy
Elizabeth
Wheeler.
Album
cover
illustration:
Al
Hirschfeld
The
Al
Hirschfeld
Foundation;
Website,
b
ooklet
and
back
cover
illustrations:
Bianca
Jakin.
Special
thanks
to
associate
producers
Marion
Wheeler
and
Carl-Henrik
Hansson
and
to
Kristie
Born
whose idea it was to make this
recording
.
iPhone
Android
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